For the majority of the knives I’ve made, I split the handle down the middle (lengthwise) and fit it around the tang of my knife’s blade. On many of my smaller knives I have a hidden tang, so the tang doesn’t show at any point around the handle, except where it extends out the front.
For some of the knives, the tang is fairly narrow, but still strong for the intended type of work. With this size though, it can be a bit limiting as to the tools I can use when evacuating the wood where the tang will fit.
The width of the handle scales (when laid on there side) is also an issue, as one of the tools I’d normally choose would be my Lie-Nielsen No. 71 or my old Stanley No. 71. Even with the closed mouth version that I have, it is very difficult, if not impossible to stay registered on the outer wood, so the small square blade for the No. 271 is of no real use. As for shifting to the No. 271, I really prefer to have a fine screw-adjust, when sneaking up on a final depth.
A couple of years ago a friend of mine showed me a gift he received from his kids, and it was one of the Lee Valley mini planes, which got some chuckles from everyone around. He went on to share that it was truly completely functional, which I know it says on the website, but it was still hard for me to wrap my head around. Ok, shift back to present time, and I decided to take a chance and ordered one of the Lee Valley Mini Router Planes (shown above in the lower portion of the photo), hoping my results might surprise me.
I opened the packaging and my heart sort of sunk. The presentation box this little router plane comes in is so tiny, almost to the point where I was afraid I’d made a mistake. I opened the box and the plane was so amazingly small, but all of the parts worked super smooth. I took the blade out of the plane and took it to my Shapton 1000-grit Glass Stone (as this blade is quite narrow, the Glass series stone is one of the few stones I trust will not create a long dado in the stone in rapid order) and worked the bottom of the blade. This blade is made from A2 steel, and it took a fair amount of time to work so it showed a consistent scratch pattern.
This wasn’t because the blade was out of square or warped, just because the steel was so hard! It felt like I was working a super high Rc valued Japanese iron, or something on that magnitude. I followed doing the same on the bevel side of the blade, but since this is such a small blade, I could only make short back and forth movements. All of the sharpening was freehand, as no guides that I have would work with this blade. After both mating surfaces were complete on the 1000-grit, and I had a small burr, I very lightly worked both surfaces on my Norton 8000-grit water stone. This stone is much softer and I was very cautious not to stay in one spot for too long. I brought in my Glass Stone 16000-grit to finish up the blade, and brought both edges to a razor sharpness.
While I had the mini Router Plane apart, I noticed it’s sole still had mill marks from manufacturing, so I put some sandpaper down on my flat granite plate and worked it until all of the milling marks were gone. I applied some wax to the sole, which is what I do to the sole on all of my hand planes, so the friction between the wood and plane is almost nil. There is no good reason to leave the sole unworked, and basically fight against the wood.
After re-assembling the mini router plane, I took it to a knife handle where I’d already cut along the shape of the tang, with an Exacto knife, and removed a fair amount with a very sharp chisel. When I set the mini router plane onto the handle blank, it looked like this might actually work. The size of the little router plane just looked like it was the proper scale for the work needed. I was so pleasantly amazed when I started removing wood, as the blade in the router plane was cutting through the wood like it was butter. And this feeling didn’t stop anytime soon. I finished both inside areas of the handle for this knife blade, and it was still going strong. Part of this is the small cross-section of area it is cutting, but still, the A2 in this blade is really holding its edge like a champ!
I hope you enjoyed the read and perhaps will test the same for yourself. Please let me know if you have any questions or comments.
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We have an old dresser that is almost 30 years old, that was purchased just before our son was born. It has some nice looking maple/curly maple on it and is fairly heavy, which lead us to believe it was well made. Unfortunately, this was around the time I was just cutting my teeth on some basic woodworking, so I didn’t dig into it as I would today.
I became aware that the top drawer was twisting in it’s track and it was a struggle to get the drawer in or out. As I was going through all of the excess stuff in the room, I pulled the drawer to see what exactly was happening. The drawers, which are each approximately 30″ wide, have one “T” shaped runner in the dead center of each level. The front end of the runners are screwed to the face frame, and initially it looked like the rear swung into what looked like a dado, with perhaps a dab of glue securing it. After completely removing the top runner, I saw there was a hole in the rear of the case, in the “dado section”, as well as signs a screw was driven into the rear end of the runner. The actions of the drawer must have created enough vibration to cause the rear screw to back out of the runner. Sure enough, I pulled the dresser away from the wall and there was one screw lying on the ground and it fit perfectly into the hole in the runner.
The second part of the dresser issues is the fact that they installed a plastic guide on the rear of each drawer, to fit over the runner’s “T” shape. I know not all plastic is bad, but in this type of usage, it just doesn’t seem like it matches the drawer sizing, nor the level of the dresser’s original cost. The plastic guide on the problematic top drawer, had split at some point and one side section was gone.
I can’t tell if the screw popped out of the back first, and the ability of the rear section of the runner to swing from side to side applied extra side force to break the guide, or if the guide went first. I suppose at this point it really doesn’t make much difference.
With the runner from the top drawer already out, I took it to the shop as a template for a replacement guide. I found some cherry that looked like it would potentially work nicely.
I started with a piece of cherry that was about 6″ long, marked out the guide’s overall length, and marked a centerline to align with the center of the runner. I clamped the cherry in the face vise on my bench, and set my small square so the bottom of the runner was just slightly proud of the guide. I needed the bottom of the guide to just clear the face frame when installing the drawer. So with the rear of the runner sitting on the cherry, and the top of the runner against the square, I traced around the shape of the runner.
With the necessary opening of the guide defined, I used my Lie-Nielsen Crosscut saw to saw straight down at the two narrow vertical lines, until I reached the top of the intended opening. Shifting to my Knew Concepts saw, I cut along the horizontal lines, leaving only the the narrow vertical sections uncut. I used my small 1/4″ palm chisel from Czeck Edge Tools to methodically remove the remaining wood.
I tested the fit and it was too tight widthwise, for the runner to completely enter the created opening in the guide. I used a small file to carefully remove wood, testing every so often, until the desired fit was established. All of the sharp edges were gently rounded to provide the best opportunity for the guide and runner to interact well together. Lastly I applied my Lie-Nielsen stick of paraffin to the mating surfaces of the guide and runner, and rubbed them in to help obtain the best performance.
I’ll include the installation information in one of my next blog entries. Thank you for stopping by and checking out the article. Please let me know if you have any questions, comments, or suggestions.
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I recently wrote another article for Highland Woodworking, for their Christmas idea special, and here is a link so you can check it out.
I’ve written many articles for Highland Woodworking since 2010 and you can search their Blog using my first and last name, which will locate the majority. As info, most of those articles are unique, while focusing on hand tools, and are not duplicated here on my personal blog.
More content to come here on my site soon.
Thank you for stopping by and let me know if you have any questions or comments.
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As I’ve written, I have a 145# Peter Wright that definitely has some age on it, as well as was more than a paper-weight. After the anvil was cleaned up (thank you Andrew), I noticed a thing or two that was hidden or perhaps just blended into the background.
One of the things I couldn’t previously make out (not that it is easily legible now), was the fact that below the line that has Wright on it, there is a partial line that looks to say Patent. One of the previous owners seemed to make a lot of punches or similar, and liked to test at least some aspect on the body of the anvil. I’m sure Peter Wright fans are probably cringing right now, and believe me, I understand. As far as I can tell, the weight stamps on the side of the anvil have all but been obliterated, and I can’t tell whether there was any indication regarding being made from wrought iron or not.The rebound characteristics more than offset the damage to the anvil’s body, otherwise I’d likely have kept looking for another anvil.
There are some letters on the front edge of the foot below the horn (bick), facing in the same direction. There are two capital “E” stamped extremely deep, each a couple of inches from the outside tip of this foot, but on different sides of the anvil center-line. With some of the anvils that have been around for a long time, some of the details can easily hide in dents, scratches, dings or the such, and the darkening/staining resulting from previous rusting, can make it quite difficult to know for sure if what you are seeing is a letter or an intended mark, or just a mark from time. These two stamped letters on the other hand, are absolutely part of the anvil, and just based on the depth of strike, look like they were applied when the body was still at a strong heat.
I’ve read that some of the Peter Wright anvils that were intended for export, had a Made in England stamp on the body. On the anvils that were sold to customers or businesses in England, is there any chance they might use the capital E in this manner, as a abbreviation as the purchasers would already know where they were made? Heck, I guess it could be as simple as an indicator of who made this specific anvil, so if someone complained they would have a trail back to the slacker. 😉
I would really appreciate anyone’s input in this mystery. If you have a thought, you can either add a comment to this page, or email me direct at LeeLairdWoodworking@gmail.com . Thank each of you for stopping by and checking out the article and site. Please let me know if you have any questions or comments.
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I was recently working on one of my hand-made knives, and while finishing my curly-maple handle, I remembered a technique I’d use on some of my smaller wooden products that I don’t think I ever wrote about before. I decided it would be something good to share with my readers, beyond the aspect of it truly working, but it may also push some to start thinking outside the box a bit more. Anyways, lets get into it.
The handles I use on my knives may be of different types of wood, but I usually go with the same finish on them all, which is Tru-Oil by Birchwood Casey. Ok, if you’ve read my other articles, you already know that, but I’m just filling in the blanks for those who haven’t read any of my previous writings. As with most finishes, you apply a thin coat, wait for it to dry, lightly sand and wipe the residue off. Basically repeating this process until you get the desired results. I follow the basic design of this, but will give a bit more specific information regarding what I’m using that helps get a better final surface.
In between the first two coats, I use some 400-grit paper to just very lightly touch the surface, removing any nibs or roughness and then wiping away any residue. Just before my final coat, I use a foam backed sanding sheet that is rated 1200-1500 (their specs, not mine), and again just almost letting gravity apply the downward force on the wood, as I’m not trying to do anything but smooth anything that is out of line.
After the last coat is applied, I make sure to let it sit long enough to really totally dry, which can be 24 hours or even slightly longer. On an inconspicuous spot, I just lightly touch a finger. If it has any feel of stickiness or my finger doesn’t slip like its on glass, I leave it until this occurs. After the finish is completely dry, I shift to something that might seem strange; a Viva paper towel! And no this isn’t just to wipe some residue. I know many of us don’t look at paper towels like they are a type of sandpaper, but they do have some graininess to them (Viva just happens to be our paper towel of choice, but other may work as well, but may not be quite as fine a grain), and one time long ago, I ran out of some crazy-fine sandpaper I’d been using. On a whim, I decided to give these paper towels a shot. I find I get the best results if I apply a bit of pressure and move back and forth quickly. Basically starting to burnish the finish. After I’ve done this to all sections of the knife’s handle, I go one step further. I use a small section of a thick leather that is somewhat soft, but not really what I would call buttery. Using the smooth side of the leather, I use exactly the same routine as I did with the paper towel. This provides a nice burnish to the handle’s surface, which just feels so good in the hands.
Since the burnishing heats up the finish during the process, I again clamp the knife (via the blade) for another 24 hours, to let the finish harden again. This leaves a handle that is super smooth, but unlike some waxes, doesn’t seem to want to slip out of your grip.
If you are working on a smallish wooden project, like a knife handle, or even a little box, you might want to give this a try. You might just amaze your friends/family/customers regarding how “smooth” it feels. Even if you aren’t trying to get the extra response, it’s cool to use a couple of everyday type items to increase the touch-factor of your projects.
I hope you enjoyed this article and may find it useful. Please let me know if you have any questions or comments.
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